12 February 2010
"Which one is your favorite?"
10 February 2010
Reviews of Random Act of Blindness
"Intelligent and classy book...
Being a straight married female, I wasn't sure what to expect as I began reading this novel. I am accustomed to anything labeled "erotica" being seedy and without plot. This book was a welcome surprise! It is written with intelligence and class. Any awkward feelings I felt as a "straight" person as I began reading this-my first example of "gay erotica"-immediately paralleled the awkwardness being felt in the first few pages by the main character which allowed me to relate, as it should anyone, gay or straight, and keep reading. These characters are so real anyone should be able to identify with them. I loved the clever dialogue! Combine this great characterization with a compelling plot and it becomes about the story, not the sex. However, for those of you interested in the sexual encounters, they are such that would make any couple envious!
In the end, what I found was a very intelligent,witty,and compelling love story about the kind of fulfilling relationship that everyone searches for yet few rarely find in their lifetime. No matter who the lovers may be, no one should ever condemn true love. A truly great read written by an obviously intelligent and witty author! Kudos, Jae Baeli!
~Tanya Gotcher
Little Rook, AR
--------------------------
Brilliant!!!! I just finished reading Jae's book, "Random Act Of Blindness." I'm not accustomed to writing reviews, so please bear with me as I share my experience of this book. I had scanned excerpts from the book twice before, thinking, "well, this will be a juicy read," not realizing what lay forward. I started reading from the beginning earlier tonight and I couldn't stop until the last page. My initial perception of the story changed after the first 20 pages or so. What I thought was going to be a typical erotic story, ended up being everything but. The characters were authentically portrayed, vividly real. As I read, I felt like a starving soul voraciously hanging onto whatever morsel the next line would leave me with. I wanted more... I was filled with surprises, chuckles, and deeply immersed in the emotional experiences of the characters. Jae's talent with words and the ability to transport the reader to a delightful and entertaining journey is first rate! From the taboos of forbidden sex, to the apprehension of blossoming love, I was transfixed from the first word to the last. I highly recommend this book!!!
Now I can't wait to read the rest of them...... Thanks Jae........well done!
~Sandi Partee
Maine
Reviews of Random Act of Blindness
New Reviews of Plethora
"An absolutely beautiful love story about women...
If you are a woman - lesbian, straight, or in-between - you owe it to yourself to read this beautiful love story about women. Or, even if you're man seeking to understand the nature of women, this book is a great place to start.
Though the story focuses on two particular women, it also speaks to the universal nature of women to want to give and receive love, to be cherished for who we are by another human being, and to share a nurturing life-long commitment with another human being. This story is about the quest of two wonderfully resilient women to find a relationship that includes all of these things. It's just a beautifully told love story about the unique and intimate experience of being a woman. The characters reminded me of my own friends, and even of myself. The events and situations, good and bad, happy and sad, were equally identifiable. As I read this book, I felt as if I were sitting in a cafe with a female friend having a conversation about our lives while sipping on our mocha lattes. In the end, as I closed the book, I was sad to leave this fictional world which I understood so completely and in which I was so comfortable. But more than that, I felt satisfied and proud to be the "plethora" that is Woman.
~By Tanya Gotcher
Little Rock, AR
Kelli, you've done it again! This book is quirky, entertaining and funny, actually hilarious in parts. I found myself reading out parts to my partner. You made the characters feel like friends, I felt like I was there with them. Once again, I cant wait to read another of your novels.
~Jo Cincotta
Australia
on weRead
New Reviews of Plethora
New Review of Armchair Detective
New Review of Armchair Detective on weRead
~Jo Cincotta,
Australia
New Review of Armchair Detective
06 February 2010
Sand Animation
We often hear people say "that's amazing" but this epitomizes the word. That something as simple as sand and light and human hands can create art so profound and breathtaking and emotive--it just defies description. You must treat yourself to this 8 minutes. It will be well spent.
Sand Animation
Jae, Singular, in Need of Plural
Being a full time writer has its advantages.
*and I've found that potential romantic interests are intimidated by the fact that I've written 14 books, and decide they don't want to be involved with a writer, because of the stigma that writers are somehow depressed or insane.
Early on in this writing career of mine, when I was dealing with only one or two books, it was a snap. But now that I have written 14 books, I feel I am not only performing the job of 5 people, but taking on their workloads as well. I have fallen behind on some things.
For instance, I finally have 10 of my books on Amazon, but four more that need a final proof and approval from me to join them--Strictly Academic, Crossing Paths, Wear a Helmet, and The Unbearable Lightness of Being UNBEARABLE...
Then I've got to give some attention to marketing and posting articles on different sites to drum up traffic to my own sites. And there's the 5 or 6 or 7 other books I am working on, in various degrees of completion and attention.
Also Known As DNA, the sequel to Armchair Detective, is coming along nicely, now that I solved the POV issue and used both first-person and third-person to tell the story. I have about 274 pages on that one. Then I have to do an unknown number of line edits and other specific edits i do which requires me to go from start to finish each time. How many other people read the same book 50 times?
SIDEBAR: (okay MIDDLEBAR):: I think there's a major misconception about writers, in that the reading public imagines them typing and typing and then finally reaching the end, doing some revision and rewriting, and viola! They have written a book. I can't speak for other authors, but that's about as likely for me as drowning in the Caspian Sea while being sodomized by dolphins. (I apologize right now to all dolphins. I truly believe you are loving creatures who would never violate me in such a way, unless i asked.) My process involves quite a lot of reading the book front to back, because otherwise, you lose the flow and miss important things. More on my process later in another blog. But just suffice to say, writing a book is laborious and requires great dedication,if it's to be done correctly.
Jae, Singular, in Need of Plural
Excerpt from Somewhere Else
(book in progress)
At the end of the long corridor leading to the kitchen, she stood at the foot of the stairs, looking up at the ceiling, and down at her hands, and touching her own face.
Cornelius frowned, a drop of vermilion free falling from the end of his brush onto a dried spot of cobalt blue on his sweats.
A tapping grew louder and he twisted toward the back hallway leading out of the living room as Jubal made his way toward Cornelius, seated at his easel. Jubal moved the white-tipped cane back and forth in front of him. Tap. Tap. Tap, Tap.
Cornelius took the brush from his mouth and caught his attention. "Psst!"
Jubal paused, one hand on the saxophone dangling from a cord around his chalky neck, the other on the cane. His lifting of eyebrows at the sound made his wraparound sunglasses bob upward on his nose. "What?" he whispered back.
Keeping his voice in a whisper, still, he said, "Have you noticed anything strange about Daelah today?""How would I notice anything about Daelah?" The blind man smirked.
He swiped a hand down his face, to smooth his Van Dyke style goatee. "You know what I mean."
"Well, yes. . ." He took a few steps forward, sliding the tip of the cane along the wood floor in front of him. "She smells different."
"Smells different?"
"Yeah."
"New perfume?"
"Nope. Individual, natural scent is different."
"Okay, weirdness." Cornelius turned back to watch Daelah who was now reaching toward the ceiling, stretching like a cat, and moaning with pleasure.
Jubal cocked his head toward her sounds. "What the hell is she doing? Playing with herself?"
"Just stretching. . .but weird, like she's never stretched before. She seems to be enjoying it too much."
Jubal took measured steps forward, made a left face, and then moved quietly down the hall, holding his cane against his chest. He paused not three feet behind her, and put the saxophone to his lips, blowing a rude honk at her.
She jumped, stumbled against the wall and stared at him
Feigning ignorance, he said, "Oh, is someone there?" He lifted his cane and swept it side to side, comically searching for her.
In the living room threshold, Cornelius let out a humorous huff. His friend Jubal enjoyed playing the sightless eccentric all the way to the bone. He had embraced his disability with unusual flair.Daelah looked at the tall, angular blind man. Almost-flawless skin, paled from a lack of sunshine. She knew better than to say, who are you? She was aware of several things she suspected she should know at this point, but precisely who this blind man was, she wasn't sure about. "You scared me," she offered instead.
"Oh. Sorry." He lowered the cane.
"How can you sneak up like that when—"
He knew she meant to add, when you're blind. "I have sonar like a dolphin. I can sense the walls and obstacles. . .I can feel the ions in the air, parting for my passage."
"Right," came the snide remark a short distance behind Jubal.
Cornelius rolled down the hall toward them and watched Daelah lean out to see past Jubal toward the approaching wheelchair.
Jubal cocked his head. "Are you okay, Daelah? You smell funny."
"What?"
"Huh?" he responded, just as confused about her misunderstanding as she was about his statement. She knew he had a keen sense of smell. The subject had come up many times before. She knew he noticed the minutiae most people missed.
Daelah frowned again as the man in the wheelchair stopped beside the blind man. Jubal released his hold on the saxophone to sweep his hand at waist level, toward Cornelius, catching him in the face. "Oh, there you are," Jubal said.
"Stop it!" Cornelius reprimanded him, slapping his hand away. His antics could be so aggravating.
Addressing the still-baffled looking woman in front of him, Cornelius said, "You seem weird today, Daelah."
"I do?"
"Yes."
"I. . ." She glanced to her right, up the staircase. "I think I'll go up and lie down for awhile." She turned and climbed the steps, showing interest in the photos on the stairway wall, and glancing back at them as if they were friendly house-spiders, but spiders, just the same.
As she disappeared around the landing, the two men waited in silence for a moment, then Cornelius spun his chair and rolled back down the hallway toward the living room, the vermilion-loaded brush in his teeth again.
Jubal followed him, and took a seat in a chair to play his sax.
Upstairs, Daelah sank down on the edge of the bed. She rubbed her eyes and considered her own confusion.
For the last few minutes, she had been trying to assimilate the volumes of information that had seemingly been downloaded into her brain. Everything from how to tie her shoes, to the relative merits of clean underwear.
She was Daelah Murdock. She felt like herself. But something had changed. That much was clear, if only by the reaction of these two housemates. The blind man and the cripple. They seemed familiar, but she didn't know them, as odd as that contradiction was.
Then, she recalled the dream that had played out in her mind just before she emerged from nocturnal bliss that morning.
A glowing white essence, shaped somewhat like an elongated teardrop, had told her, telepathically, "Thank you." Daelah had no way of knowing what she, herself, looked like in the dream, but sensed she was also a glowing essence. She had reached out to grasp the wrist that emerged from the glowing essence—a human wrist, that clenched her own in farewell.
When the Teardrop Essence vanished, her dreamself noticed a tattoo on her inner forearm of a strange symbol. Then she woke, and the tattoo was not on her skin, and she sat up to draw the symbol on the pad of paper on the nightstand. Then she had found the bathroom and hurried to look in the mirror, and was stunned by the sensation that the face looking back at her in the glass was not her own. Then she had not recognized the room, and had gone downstairs to look around.
Now, frowning down at the paper, she sensed that the symbol was important, but wasn't quite sure why. The shape resembled an ankh, the universal symbol of eternal life, but it was like a blending of two ankhs, one upright, the other upside down, and joined at the stems.
Daelah spent the next few hours roaming around the bedroom, seeking clues to her befuddlement. The bedspread was an aggravating shade of pink, and there was a pink dust ruffle made of lace around the bed. She hated it. Likewise, the matching horridly pink lampshade on the nightstand, had engendered more repulsion. Though the walls were a standard eggshell color, they were festooned with all things pink.
This could not possibly be her own room, though she had awakened here. Peering down at herself, she noticed she was wearing a hideous pink nightgown with lace around the collar. She pulled it off her like it was on fire, and hurried to the closet.
Inside the wardrobe nook, her efforts to find more agreeable attire had met with a nightmarish array of pink, salmon, lavender, and fuchsia. The singular exception was a black T-Shirt, banished to the far end of the clothes rod. She turned it toward her to look at it. A depiction of a bread-like ring bejeweled with fruit and nuts graced the front, and below it in white letters was the word Fruitcake. No doubt this was a gift from someone with a sense of humor who was making a veiled suggestion about the pink-woman's mental status.
The Pink Woman. She had framed it as though the pink woman was not her. But it wasn't her. Yet here she was, being her.
As she pulled the black fruitcake T-Shirt over her head, snatched a pair of jeans and pulled them on, and added some atrocious pink sneakers to her–no surprise—pink socks, she felt a little more like herself. Whoever that was.
Emerging from the closet, she stood in the middle of the room and thought about it all. She wasn't herself. Couldn't be. What did that mean?
Her trip downstairs a few minutes ago, did not garner her much information. The house was like a familiar place from long ago, yet almost erased from her memory. When the blind man and the cripple appeared, things became even more confusing.
Sitting back down on the bed, she listened for a moment to the blind man playing saxophone downstairs. She recognized the tune as Patsy Cline's "Crazy." It was a little crazy that she recognized the song, but not the guy who played it—a guy who obviously lived in her house. . .or she in his.
She picked up the wretched pink purse, and pulled out the aggravating pink wallet. The driver's license read,
Tapioca? Who the hell would live on a street called Tapioca? Was Pudding Circle all full-up? Daelah perused the license again. She was apparently female, and 36 years old.
About the book:
A non-physical soul makes an agreement with another incarnated soul to take over her body. The Walk-in, perhaps too fearless, and too hungry for the pleasures of the flesh, discovers she has inherited the life of Daelah Murdock, a Mormon goody-two -shoes with a pathological attachment to the color pink. As a live-in caregiver for two men--one blind, the other wheelchair bound--Daelah's life seems bland and puerile. Yet someone is trying to kill her.
_____________________________________
Somewhere Else, (c)Kelli Jae Baeli
Excerpt from Somewhere Else
05 February 2010
New Review of my book RAOB
Review of Random Act of Blindness on weRead:
"I didn't want to put this book down, the characters had me hooked from the start, the erotica so real, I wanted to be there. Its not often I find a book that has me enthralled from beginning to end, Random Act of Blindness is one of the few. I am so looking forward to my next novel by Kelli Jae Baeli." ~ Joanne Cincotta
Excerpts:
EXCERPTS:
Never, in all her days, had she imagined herself in a position like this. Vivid fantasies aside, Rachel had never considered acting on the impulses that invaded her thoughts throughout the day. They were private affairs stored only in some scurrilous recess of her mind. Yet her mind interacted with other minds, and often, there were fragments of information to be had in decidedly ironic ways. Doctor Bass, for instance, listened to her confession of the scandalous gearshift penetration mirage, and fantasy bondage scenarios and produced a copy of the bondage magazine. While not something Professor Rachel Leeds believed would qualify as a "literary device," it was nonetheless pivotal in the events in which she was now participating. Namely, being on her way to a hardware store to find something to use as a whip on the girl who lay naked and bound in hotel room number 66, the Mark-of-the-Almost-Beast.
Faith. To believe in things not yet seen, they say. Patrice was faithful a long time ago. Then she communed with the faithless, and their cloying demands. She needed evidence because it made her feel foolish. And faith was lost. But the bitterness left her cold, barefoot, detached from the warmth of love and connection. Then she discovered a different faith. One born of her own power, left untapped for eons, swirling, ebullient, joyful. And now, coming full circle, she found herself wholly unqualified, still, to manifest from faith alone. Yet, perfectly accustomed to crying alone, wishing alone. Hope did not float. It sat on the bottom, weighted by its own lie.
New Review of my book RAOB
29 December 2009
The Organic Fiction Method
The Organic Fiction Method of writing is a formula that springs from the natural flow as you add to the story; it means not relying on a steadfast outline, but rather, being open to the events and developments that might come from minor and major details that evolve as your story reveals itself.
I am an organic writer. I might begin a story or novel idea with just one scene, one snippet of dialogue, a single image, one idea or concept. These 'seedlings', as I call them, can appear from many different sources, which I will not expound upon in this article, except to say that they can come from conversations you have had or overheard, dreams you've had or others have told you about, news items, personal experiences, and so on.
The plot can be an organic process in that you may not be sure where it's going to end up, or the pit-stops it might make beforehand, but some detail in setting, motivation, or theme will lead to another facet that fills it out. This is where research can be beneficial. If you learn all you can about the subjects you're illustrating, those details alone can often provide you with seedlings that gel (sometimes almost magically) with the other elements of your plot.
For instance, in Also Known As DNA, a sequel to Armchair Detective (which is in progress), I moved my characters to another state. In the first book, the main character drove a '62 Falcon, and it was important in the story; the main character also referred to the other main character's house as "the Manor." So in researching the area for the new book, I discovered a setting i needed, and it was called Falcon Mountain. And then I discovered that the perfect house for them just happened to be located on Manor Lane. All quite accidental discoveries, but significant in more ways than one. And the synchronicities like that which often appear can give your writing process a little boost.
Unless you're basing a character on someone real, whom you already know well and want to use, characters can be organic, too. I never write out personal histories for my characters, as I find that stifling, and frankly, it's time wasted that could be better used in writing the actual story. If you spend all that time getting every detail of your character in place, the process of writing the book will, in my experience, force you to omit those details or change them entirely, so I prefer to just have that general idea and then see what is required. This all depends on your own approach to the writing. Some write from plot, some from character (Hence, the phrases "plot-driven" and "character-driven"). But I allow both plot and character to remain organic and this keeps the process exciting. It's almost as though I am "reading" the book with as much anticipation as a regular reader would, because honestly, I'm not quite sure how it will turn out. I enjoy letting characters tell me the rest through the machinations of the story. Sometimes these things fall together through dialogue, and sometimes in some other mysterious way that has to do with setting, motivation, seasons, unexpected events, or any number of other possibilities.
In one of my novels, a character once appeared whom I had not even created. Two of my established characters were on their front porch in their isolated country home, and "Tilly" suddenly just rode up on horseback and began to reveal herself to be strange and interesting, and I have no idea, to this day, where she came from.
This is part of the exhilaration of being an Organic Fiction Writer. Writing in this way helps insure that you don't tire of the process. The journey is one that you take just like a reader, but you just get to take it before they do.
The Organic Fiction Method
03 November 2009
I Wish I Could Write
When most people say "I wish I could write," they are referring to the ability to compose--usually, prose. Since I am a writer by vocation and by perhaps genetic predisposition, when I say "I wish I could write" I mean longhand. I wish I could pick up a pen or pencil and scribble words on the pages of a journal as I used to. But I can't. Not for much longer than a few sentences,
anyway. I have horrible penmanship (or Penwomanship).
Somehow, as the years have gone by, my longhand muscles have atrophied. I actually get hand cramps, and the next day, can't even read what I scribbled on a Post-it the night before. I suspect some of this decline is through disuse-- with the evolution of the writing instrument--but it's not as though there were no typewriters when I was a young writer. Contrary to the grumblings of my midlife crisis, I'm not THAT old. I used typewriters quite a bit.
But I also wrote longhand, in journals and on steno-pads, and legal pads. I haven't kept a handwritten journal since about 1990. The allure of my fingers flying across the keys that placed uniformly neat and legible words on a page at a rate closer to the speed of my thoughts, was at once too seductive to ever allow me passage back to the drudgery of longhand.
And it's a good thing, too, because my penmanship is like the footprints of worker ants through ink. Most self-respecting graphologists would analyze it and pronounce me criminally insane.
I Wish I Could Write











